Writing/reading is not a social art like, say, dance or music. It’s not even a publicly displayed art, like painting. Writers very rarely enjoy an audience in the flesh-and-blood assembly-of-people sense of the word. For us, feedback trickles in little by little, if at all, because editors are usually too busy to tell you what they think unless they plan to publish your work.
I was thinking about this problem tonight as I watched So You Think You Can Dance. The show is in its tryout episodes, where dancers audition for a spot on the real show. Even if you’ve never watched SYTYCD, you’ve probably seen a similar ghastly process take place on shows like American Idol. There are two types of contestants in this phase: super-talented showoffs who are awesome and dumpy deviants in ill-fitting clothes who are totally out of touch with reality. The deviants walk out on stage and dance their fucking hearts out, and then the judges crack wise and make them feel small. Some people think it’s mean, and some people think it’s entertaining; I guess I think it’s both but that it’s also generally for the best because clearly these people need to let the dream die.
The thing that always gets me when I’m watching the delusional contestants cry bitter tears after they are rejected is that they believed in their own talent so hard that they were willing to stand in a two-day-long line to show the world their stuff. I guess the lesson is that you can’t really know if you’re good at something until some stranger with no empathy or compassion judges your work. Maybe that’s why they say you should pursue your art out of love—then, when some meanie says, “So, you think you can dance? I’m afraid that is not in fact the case.” you can reply, “Oh well, at least I had fun.”
I think that anyone who works in the arts has moments when they worry they’ve misjudged their own level of competence. I was plagued by my own doubts just the other day when I was flipping through one of my Moleskine notebooks, which I carry around everywhere. I use them to record all sorts of thoughts (ideas, observations, shopping lists, etc.), and while doing so usually makes me feel a little bit douchey, the Moleskines have been a wonderful aid because I have an unreliable memory.
So anyway I was paging through one of these notebooks and generally admiring all my deep thoughts and perceptive observations until I came to the page where I had written “Why are pets so sleepy?” like it was the philosophic question of our age. It was like I was outside of my body, watching myself flail around a stage in leggings—nay, hot pants—thinking god, is that person (i.e., me) actually retarded or is she just a really terrible dancer? Because you and I (heartless bastards that we are) both know that sleepy pets aren’t exactly fodder for my opus, or even for my blog.
Now, all of that being said, I’m awfully fond of sleepy animals, as evidenced by my recent trip to the Philadelphia Zoo:
I love watching dangerous animals nap because they really do look like sweet pets that ate a little too much for dinner. The animals at this zoo were particularly awesome, from the Muppet-like orangutans that live like hobos in a room strewn with old blankets and cardboard boxes, to the winsome slow loris, a tiny beastie that loves nothing more than a good tickling. I also liked this shy elephant that hid behind a column to avoid the unwanted spray of the zookeeper’s hose:
and this weird and wonderful sloth bear, who might be my new favorite animal:
Unfortunately, this zoo also harbored one of my most feared foes, the peacock. At first, I thought they were housed with the prairie dogs, who just stand around being adorable in the midst of terror:
But a few minutes later, I came to realize the peacocks were roaming around that zoo willy-nilly. We’d be walking along the path when one would jump out in front of us like a flamboyant highwayman and let loose with a blood-curdling shriek. Sometimes we’d hear one in the distance and my sister would look at me with concern and say, “We’d better keep moving” like we were in Jurassic Park or a Cormac McCarthy novel or something.
As my regular readers surely know, the only thing I fear more than peacocks is wild turkeys, which I also saw while I was visiting my sister. This sighting was very exciting from the confines of my sister’s car, but it was also disturbing since I had just studied a turkey’s red drippy burn victim head up-close from outside its pen at the zoo. There were three of them—huge ones—eating something (corn? wheat? people?) in a field one rainy Tuesday afternoon. I made my sister drive by like ten times so I could take pictures but since I’m a numb-numb all I got was around a dozen pictures of blurry grass and a couple of streaky lumbering turkeys:
I sort of like these pictures, though, because blurry turkeys have a certain nightmarish symbolic quality that, to me, really captures their menace.

